16. Sap Rising
Unglazed terracotta, oxide slips, fired buff clay, wood ash, iron oxide and coarse grog, Bees wax candle

13. soft to touch
glazed ceramic

11. and in that bed was a body, which lay beside another body
oak, ashdown heather, enamel, seed head, rose thorns, wood veneer and oak gall ink and antique wood moulding

6. teasel and foxtail
painted stained glass, lead, framing pins, solder and oak

15. a ripening fruit (Cherry chain) 

hawthorn thorns, unglazed terracotta and human hair

3. Botticelli’s hair
glazed stoneware, natural rope, unglazed ceramic, limewash and unfired terracotta 

7. fox foot
glazed ceramic and antique wooden bureau 

14. lovers’ lilies
stoneware glazed crank clay, teasel, unglazed ceramic, hair, pine pitch, seal wax and lily reed twine

12. hair under hand
unglazed ceramic, hair and artichoke fibre

5. private thing 1 - glazed ceramic, gorse thorns and found metal

1. the sheets were white linen 

cheesecloth, embroidery thread, wood shavings, teasels, glazed ceramic, heather, grass and seed heads

4. waiting
antique chair, mother’s wedding dress dyed with wild geranium and rosemary, tin-glazed terracotta, oak gall ink, glazed ceramic and thistle /

9. my own private thing 

oak plank, glazed ceramic and unglazed ceramic, seed heads, oak galls, gall ink, paper, artichoke fibre and claw foot table leg

2. sticking place 

unglazed ceramic, glazed ceramic, oxide slip, string, pine pitch, beeswax, balustrade and pheasant feather

10. private thing 3

glazed ceramic, flax grass and unglazed ceramic

Installation shots

 

I Will Live Many Years In This Room

I wanted my desire to be my own private thing

but I told a faith healer about you

with the delyghtful impatience 

pheromonal pilgrims feel

in the details of their Benedictine encounters

 

with corners 

and curves, walnut wood, bolsters, and hair under hand 

a relic to remind me: you are a living body

and that when that body breaks down 

it is no longer composite from mind.

 

Please let me remind you, I lived a whole life at that party,

replaced my body with another one.

 

The steading courtyard and the fire

burnt embers ruminated beside married couples sitting on outdoor furniture 

a languid barbecue smoked behind them

whilst I squirmed on that plastic.

Hoping to find a spectacular event awaiting me

I went back into the house, and I lay down in a bed, 

in a room with a window overlooking the fountain outside, 

and in that bed was a body, which lay beside another body, 

which lay beside another body,

and the sheets were white linen and they were soft to touch.

 

There needed to be an anvil to smash.

 

The harte was held inside a wicker basket 

yet still it infiltrated itself further, into the countertop, the table, and the fixtures,

the plants, and the window glass.

 

It was in the milk.

It was in the jam. 

 

Beside the hearth was a hessian sack of old self which withered and faded out then 

as the thumb touched high on the neck of the gift horse,

a ripening fruit.

 

The house: a party palace.

 

Don’t tell me I’ve been here too long.

 

My heart is full of the secret.

 

I await the day my desire will be returned,

waiting, being the rarest and purest form

of generosity.

 

And like that

we shall love, 

and love more.

Writing by Gwen Dupré

 

Video Documentation by Rebekah Lowri